The
Swerve: How the World Became Modern by Stephen
Greenblatt
My rating: 3 of 5 stars
This book is OK overall, no more, and IS deserving of the criticism
Greenblatt has gotten, for overstating his case and
more.
Greenblatt's good part is explaining how
Poggio came across the book, his general hunting for books, what it was
like to be an early Renaissance non-clerical humanist and similar
things.
The not so good is overstating his case,
and getting some things wrong, incomplete or
unexplained.
First, the inventors of atomic theory,
Democritus and Leucippus were pre-Epicurean and even pre-Socratic.
Greenblatt never mentions this. Nor does he mention that Greek
philosophers in general were anti-empirical, and therefore
antiscientific, as we know science today. (Indeed, one could argue that
Archimedes and Eratosthenes were the only two real scientists the
Hellenistic world produced.)
Ergo, especially if we
start "modernity" with the Enlightenment and not the Renaissance,
Epicureanism was not "how the world became modern." Not even
close.
Second, he cherry-picks who was influenced
by Lucretius, and how much, and how much influence they had. The late
Renaissance world didn't see a flowering of Giordano
Brunos.
In this way, the book reminds me of a Ph.D.
these written by either an English lit or a psychology grad student,
trying to find something semi-outrageous to "break through."
View all my reviews
This is a slice of my philosophical, lay scientific, musical, religious skepticism, and poetic musings. (All poems are my own.) The science and philosophy side meet in my study of cognitive philosophy; Dan Dennett was the first serious influence on me, but I've moved beyond him. The poems are somewhat related, as many are on philosophical or psychological themes. That includes existentialism and questions of selfhood, death, and more. Nature and other poems will also show up here on occasion.
Friday, February 17, 2012
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