Here’s my theory on the ‘enigma’ of Elgar’s Enigma Variations.

Having just gotten home from my final concert of this year’s Dallas Symphony Orchestra season, where Enigma was on the program, I offer these thoughts.

It’s a homage to, or reflection upon, rather than calling it a variation on, the Dies Irae opening.

Of course, in addition to some differences in note intervals, it’s in a major key.

That’s why each individual variation is named after a friend of Elgar’s. Rather than a reflection on their deaths, or last judgments, though, it’s a reflection on their lives, with the “positive” angle of the major key.